The Cambridge History of English and American Literature in 18 Volumes (190721). Volume VII. Cavalier and Puritan.
IV. Lesser Caroline Poets.
§ 2. Jo. Chalkhill; Thealma and Clearchus.
However, it is undoubtedly true of Chamberlayne in Pharonnida, as Shelley remarked of Chamberlaynes great pupil in Endymion, that the authors intention appears to be that no person shall possibly get to the end of it. The mysterious Jo. Chalkhill, to whom Walton attributed the poem entitled Thealma and Clearchus, published by himself in 1683, though, according to him, written long since by a person who was an acquaintant and friend of Edmund Spenser (dead eighty years earlier), adopted still surer measures for this purpose by never coming to any end at all. Of the author, nothing is positively known, and some have thought that he was a mere mask for Walton himself, which is not at all probable; but there was a John Chalkhill, who was coroner for Middlesex late in Elizabeths reign, and this, or another, was grandfather, or, at least, step-grandfather, to Waltons wife. The poem, though very much shorter, is exactly on the same lines as Pharonnidaheroic, with a touch of the pastoral; is couched in the same sort of verse, though in somewhat lesser blocks; passes from adventure to adventure with the same bewildering insouciance; seems, indeed, to have been written with somewhat more care as to names and places, so far as the authors intention goes; but indulges in a complication of disguises, mistakes of persons and the like, which even Chamberlayne never permitted himself, and which, probably, had something to do with the relinquishment of a recklessly and hopelessly embroiled enterprise. Even in proportion to its length, it has fewer of those gleams of poetry which Shelley allowed to be of the highest and finest in Keats, and which are not seldom high and fine in Chamberlayne. But it has some extremely pretty passages; and its comparative brevity, helped by Waltons commendations of it and of its authors other work, has secured it some faint approach to popularity. |
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